Back to Monstrous Basics

mu1At the time of its release, Monsters University was probably not the movie fans wanted to see from Pixar. After all, it could have been correctly argued that a company that had once been known for completely original concepts had been little bit too focused on sequels, with three of its last four movies falling on that category and with the future holding even more of those, including the seemingly unnecessary Toy Story 4.

However, it cannot be denied that Monsters University was a movie Pixar needed to do. Not because 2001’s Monsters Inc. desperately claimed for an opening chapter, but because following the predictable disaster of Cars 2 and the missed opportunity that was Brave – a movie that perfectly translated to the screen the awful turmoils of its production – Pixar had to find a relatively safe place to land on after their fall from grace.

As it turns out, with Monsters University the studio was successfully able to avert any major damages that could have been caused by the drop, delivering a solid flick after a terrible effort and a subpar one. The movie shows the company was apparently ready to take the necessary steps to climb back to the leading position within the animation industry; a throne that now safely sits within the possession of the Walt Disney Animation Studios following a mesmerizing string of releases that started back in 2008 with Bolt.

Monsters University is a movie with very punctual dashes of the unexpected, something that Pixar has always thrived on. Although, in a sense, the movie follows a progression that is a tradition for blockbuster movies, it offers a few twists and turns along the way to keep viewers on their toes.

Contrary to what their very strong relationship on Monsters Inc. seemed to indicate, Mike and Sully did not get along as soon as they stepped onto the titular university’s campus. In fact, during the movie’s first part there is a considerable amount of time spent portraying their conflicting personalities and painting them both as antagonists to one another. Mike is a hard-working student who finds ways to excel even without a lot of natural talent, while Sully is portrayed as being comfortable with coasting on his family name and clear, but unexplored, potential, employing all his energy on achieving popularity and partying.

Prequels are destined to be inferior to the original material. After all, they are built as introductions to a much bigger and important event; in addition, a big part of the effort is consumed in the attempt to tie all the storyline knots in order to solidify the connection between both pieces. As a consequence, Monsters University is definitely not as good as its source, but it humbly and smartly accepts its role as a supporting movie by making its sequel a better and even more believable movie, and adding even more colors to the impressive monster universe.

The biggest benefit Monsters University extracts from its position as an introductory piece is that it understands it holds no major responsibilities. Nobody expects it to be one of the finest works of the Pixar canon, and therefore it makes no effort to create a massive overarching epic. Whatever struggles and dangers the writers could have created would have their effect vastly diminished, because – in a way – the audience knows the whole ordeal has a nice ending; what truly matters here – as it is the case with any other movie – is the journey, not the destination, and Monsters University makes the best of it.

mu2The college campus is a very light-hearted environment, and the Pixar crew takes advantage of it to make fun or create monstrous satires of staples of the life in a university: the fraternities, the parties, the segregation of students into groups of similar interest and behavior, the threatening teacher, the boring tutors, the adventures that border on outlaw, the expectations, the disappointments and the competition. It is a lighthearted package of satire covered with the charm of the monsters and backed up by the embryonic phase of the relationship between Mike, Sully, and Randall.

For kids, the hilarity of it all comes from seeing Mike and Sully on their younger days; for adults, there is the added delight of recognizing a lot of what they went through on a nicely written animated feature. In the end of it all, the loose and careless environment of a university ends up being the perfect setting for a movie that, while being very important to the company’s rehabilitation, does not have much weight on its back given its prequel status.

In spite of a few slip-ups here and there, such as the ridiculously abrupt way through which Randall goes from being a huge geek and – as a consequence – a natural partner to Mike, to being warmly accepted by the school’s most arrogant and popular fraternity, Monsters University glues together and gives further explanation to all major points of Monsters Inc. To top it all off, it delivers what Pixar has been owing its fans for far too long: a great movie that is solid all the way through.

five

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About Matt

A Brazilian gamer with a great love for playing Nintendo games, and a hobby of writing about his gaming experiences and thoughts. Even though that is what I mainly do for fun, I also love listening to music (especially rock) and watching movies (especially animations), so also expect a few posts on those matters.
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4 Responses to Back to Monstrous Basics

  1. Definitely a better movie than Brave and Cars 2, and I might even say it’s better than A Bug’s Life and the first Cars, as well as being on par with the first Monsters, Inc. It’s a better movie than it gets credit for, and it was a nice way for Pixar to say “See, we don’t suck now, we just had two bad years.”

    But, in the end, it doesn’t have the same emotional weight or the level of writing as a Toy Story or The Incredibles. A better prequel than most, to be sure. But I hope Pixar gets back into their A-game soon (personally, I don’t think Inside Out looks particularly interesting, and even a bit gimmicky, but I hope I’m wrong). To say they’re playing second fiddle to Disney right now is a huge understatement. They aren’t even on the same level at this point. I’m excited for Incredibles 2 (Brad Bird is back!), cautiously optimistic for Finding Dory, questioning why Toy Story 4 needs to exist, and rolling my eyes at Cars 3.

    On an unrelated note, I’m a bit surprised you haven’t written anything about Yooka-Laylee yet. Any plans on rectifying that?

    • Matt says:

      Interestingly and coincidentally, Yooka-Laylee will be the focus of my next post. It is scheduled to drop in three days! =D

      I agree with almost everything you said about Disney and Pixar, especially regarding your expectations towards the next movies in line, your excitement for the return of the great Brad Bird, and the fact Disney and Pixar are not on the same level right now, which leads me to express my awe at how there are no conspiracy theories out there claiming Disney bought Pixar to destroy it from the inside given all those sequels are becoming ridiculous!

      I only disagree on Inside Out. Maybe it is the fact Pixar hasn’t pushed out an original concept like that in a while, but I have good hopes for it!

  2. YvoCaro says:

    This sure brings back good memories of seeing the first movie with my (then) young daughter. Funny thing is that she still like watching the movies of her youth when stressed at school and such. I didn’t know a new one was out though, we are a bit out of the loop.

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