Alone, Together

The Incredibles 2 was, in the end, a movie that had a whole lot to live up to. The original is still, justly, regarded as one of Pixar’s finest and, as a consequence, one of the best animation movies that have ever been produced, and the fourteen-year wait fans had to endure to get a sequel only elevated those expectations to an unforeseen degree. It is an absolute victory, then, that The Incredibles 2 feels – overall – not like a disappointment, but like a pleasant return that, despite not hitting the same high notes of its predecessor in terms of plot quality and originality, is a worthy successor to it. Sure, had it chosen to move on from the conflict between superheroes and society around which the first movie was built and had it opted to spend more of its time showing the Parrs act together, rather than separated onto two distinct fronts, it is arguable it could have benefited more effectively from the marvelous premise of the series and also presented a more considerable evolution. But, regardless of those missed opportunities, the movie delivers incredible amounts of humor, action, and conspiracy, all underlined by the lovable characters and family matters that make the franchise so likable and relatable.

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Changes

Introducing changes to the scoring system, to the website’s design, plus a new blog dedicated exclusively to music reviews.

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Gone But Not Forgotten

The only problem that plagues Coco is that it takes a while to get there. The moments that define it and make it stand out among the delightful myriad of masterful Pixar animations are all tucked away in its second half, making what comes before it feel like a long – yet very much enjoyable – buildup. When Coco takes off, it transforms into a Russian nesting doll of plot twists which instead of getting smaller and less significant as they appear, just seem to become bigger and heavier as they pop out. It is a rough journey, but one that – by revealing quite a lot about Miguel’s family’s past – brings them closer together rather than setting them further apart, which is just about the perfect ending for a movie inspired by a celebration where family union and legacies of love are in the spotlight.

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Rehab

All in all, however, even if it carries an ending that happens through means that may dynamite the experience as a whole to some, Cars 3 is a good movie. It may fall by the lower echelon of Pixar flicks, where Brave, Cars, and Monsters University lie; but, at the same time, it floats far above the cringe-inducing experiences created by Cars 2 and The Good Dinosaur. With Cars 3, Pixar leads its least-admired franchise to a conclusion that comes off as natural and, to some degree, necessary, and therein exists the greatest victory of the movie: instead of making viewers wonder why it was produced in the first place, it takes them on the wheels of a journey that is a pleasant and entertaining ride. With Cars 3, McQueen and his peers can ride into the sun with some dignity, leaving the racing tracks on a sweet note, like a superstar who retires on their own terms and when the time is right.

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